CLASSES & WORKSHOPS
CLASSES RESUME NOVEMBER 2024 in Los Angeles!
Please browse the calendar below and select classes from there. Workshops are typically announced at least two months in advance and often fill to capacity.
Graham Keegan teaches one-day natural dye classes and longer form workshop series’ from the storefront in Silver Lake, Los Angeles.
If you would like to explore a natural dye subject and don't see a group course listed, can't find a date that will work or you would prefer to learn privately, you can request and schedule an individually designed course through the contact form.
Saturday, November 23, 2024 from 1:00 to 4:30 PM
Saturday, January 25, 2025 from 1:00 to 4:30 PM
Saturday, March 15, 2025 from 1:00 to 4:30 PM
Saturday, April 19, 2025 from 1:00 to 4:30 PM
All experience levels welcome and all materials are provided! No previous dye or textile background necessary.
This is an introduction to Indigo - the plant, they dye and the process! In the cozy studio in Silver Lake, we’ll explore the possibilities of dip-dyeing in the indigo vat with a focus on creating patterns using folds and clamps.
I’ll guide you through the best practices for preparing fabrics for dyeing, from fabric selection, to washing, scouring and post-dyeing treatment that will give your dyed goods the longest life possible!
We will discuss the process for extracting color from plants with as much show-and-tell as possible. From there we will mix up an indigo vat and I’ll demonstrate (and you’ll practice) dipping fabric into the vat in a way that allows for good color uptake and long health of the vat. We will fold and clamp a couple different pieces of fabric and then dip them into the indigo vat. From there we’ll discuss wash and aftercare options for your dyed goods, before sending you on your way with your newly dyed fabrics!
I’ve been working with indigo plants, pigment and pattern for the past fifteen years and I love to share my experiences. If you’ve done any indigo work in the past and have questions or observations that you’re curious about, please bring your questions and any material samples you’d like to share and I’d be happy to discuss them in the class.
Pattern is my speciality and I’ll be sharing the following base-folds which can be combined and modified to create infinite repeat graphics
• STRIPE - fat lines, skinny lines, pinstripes and gingham looks all originate from this one simple fold.
• GRID - ideal for lattices, zigzags and repeating dots or Moroccan tile looks.
• KIKKO - a hexagonal tessellation
• WEDGE - a radial fold perfect as a base for star and floral shapes
Make sure to show up wearing clothes and shoes that you wouldn’t mind getting some splashes of blue on!
Additional fabric, dyeing supplies, soaps and seeds are available for purchase at the shop before or after class.
As always, if you’re interested in attending as a photographer or videographer, I have complimentary spots available if you’re willing to share the images with me for use on my instagram, website or promotion for future classes. I can never get it together to teach and document the classes at the same time!
604 N. Occidental Boulevard, LA CA 90026
Sunday, January 26, 2025 10:00 AM - 4:00 PM
Saturday, February 22, 2025, 10:00 AM - 4:00 PM
Sunday, April 20, 2025, 10:00 AM - 4:00 PM
Limited to 8 Attendees
No experience necessaryIn this workshop, we’ll explore working with Indigo blue and the mordant dyes madder red and weld yellow.
We will layer these three primary color dyes on top of each other in order to create MANY different tones on a single piece of fabric - Grass green, plum, maroon, forest green, oranges and auburns.
All materials and supplies are provided. You’ll leave with at least two small square scarves dyed in your choice of color and pattern.
Pattern is my speciality and I’ll be sharing the following base-folds which can be combined and modified to create infinite repeat graphics
• STRIPE - fat lines, skinny lines, pinstripes and gingham and plaid looks all originate from this one simple fold.
• GRID - ideal for lattices, zigzags and repeating dots or Moroccan tile looks.
• KIKKO - a hexagonal tessellation
• WEDGE - a radial fold perfect as a base for star and floral shapes
This is a good-times introduction to a range of natural dye plants and processes!
Please contact me if you have any questions.
No Natural Dye Experience Necessary. This is an introduction and we’ll cover material from the ground up! Creating graphic designs using indigo dye is notoriously challenging. I’ll be drawing from my experiences, successes AND failures to demystify the process and make it as approachable as possible.
At Natural Dyes, 604 N. Occidental Boulevard LA, CA 90026
Saturday, January 18 and Sunday January 19, 2025 10:00 AM to 4:00 PM
Pack a lunch or plan to grab a bagel from Maury’s next door. Meal break from 12:15-1:00 ish
Limit 6 Attendees
RESIST : Indigo only dyes what it can touch! In this workshop students will learn to create a resist paste from rice flour. This paste will be applied onto fabric by brush, stencil and screen. Wherever the paste is applied, the fabric will remain un-dyed while the rest of the piece absorbs color.
DISCHARGE : Indigo can be selectively dissolved my the strong oxidizer Potassium Permanganate. We will learn how to prepare the solution to dissolve the indigo and apply it to the textile using brushes. Screen printing with the medium will be demonstrated but we don’t have time to execute it individually.
Students will explore layering prints to create different tones of blue and will practice the challenging and subtle techniques of dipping printed pieces and maintaining the health of an indigo vat.
SATURDAY
• Discuss fundamental concepts of an indigo vat and mix up a reduction vat. Dipping etiquette, tools and supplies
• Making Resist paste and cutting VERY simple stencils.
• Coating print boards and stretching fabrics
• Developing different tones of indigo on the piece by dipping multiple times and in different strength vats.
• Demonstration of making Shinshi as will more intricate stencils than we are able to accomplish in our limited time together.
• Dyeing and preparing fabric to receive discharge medium tomorrow
SUNDAY
• Applying discharge to fabrics using a variety of methods - brush, block and screen print.
• Removing deposited manganese from fabrics using lemon juice
• Rudimentary layering resist on fabric to create multiple tones of blue on the same fabric.
• Treatment of fabric to provide UV and wash-fastness protection for the indigo
• Sharing of resources for further exploration
November 30 - December 1, 2024. Saturday and Sunday 1-4:30 PM
TWO DAY CLASS
Class size limited to 8
At the Natural Dyes Workshop, 604 N. Occidental Boulevard, Los Angeles CA 90026
Over the course of a two-day weekend class, we will dive into the fundamentals of the traditional processes of block printing with natural dyes that dates back to some of our earliest recorded histories - thank you Pliny!
We will walk (sometimes crawl, sometimes run) through the process including all the following:
• Ideal Fabric Selection for this process and Scouring fabrics that require it
• Creating Blocks for printing using a range of materials - foam, wood, rubber, linoleum, etc
• Discussion and review of tools and supplies required for block printing on fabrics
• Mixing and blending of mordant print mediums
• Creating Print Pads to easily reapply print medium to blocks
• Stretching and Preparing fabrics and workspaces for printing
• Practice printing pastes onto fabric
• Drying, aging and rinsing of fabrics
• Immersion dyeing textiles
• Treatments for fabric to restore pH, provide wash fastness and UV shielding to add longevity for the print
I’m excited to share the years of process refinement that I’ve made as a result of working through countless mistakes. I’ve learned a lot of lessons the hard way and I’m happy to show you the paths around the numerous obstacles inherent to block printing with natural dyes!
Over the past year I’ve endeavored to hone this process, and have immersed myself in working with many different print mediums and block materials. Special consideration will be given in the class to working with Linoleum and rubber carved block surfaces.
All fabrics and materials are provided.
FINANCIAL AID IS AVAILABLE
To encourage attendance in workshops by those who are passionate and curious, but have concerns regarding finances, I recommend reaching out to me directly. I would be happy to discuss options with you to come up with a plan that works for us both!
INFORMATION REGARDING CANCELLATION AND REFUNDS FOR WORKSHOPS
If you are unable to attend:
100% refund is available up to 60 days prior to the start date of the course.
75% refund will be issued for cancellation 30-60 days prior to the start date of the course.
Less than 30 days prior to a course start date, no refund.
Registration is transferable to another person for no fee at any time prior to the start of the class.